Since 1901, Otakar Sevcik's works have formed the basis of many schools of string playing around the world. Thousands of players continue to find Sevcik an invaluable aid to technical development. In practising Sevcik, as in playing scales, etudes, or pieces there are always four main headings to consider: purity of intonation, evenness of tone, exactness of rhythm and physical freedom and ease.
This is the Third part of Opus1 which focuses on exercises in the change of position as well as containing further exercises in strength, dexterity, accuracy and scales and arpeggios over three octaves.
